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(a digital performance)

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Clowns, cows, and surprised Jesus, oh my!  

ContentContent is the spawning of itself for itself and without itself, the autopoesis of the infinite hall at the end of the infinite hall.   Advertisements for End of World and on hold with utopian travel agencies. Pixel polyamory and ecumenical art school advice.  paralysis and post-ironic feedback loops, memeification, and instant wish fulfillment dictated by algorithmic oracles.  



Baby goats. 

Touch my practice, you tautological clown.  


Brought to you by your favourite two navel gazing// all-knowing 90s kids broadcast from the inside of their hermetically sealed hyperspace aka THE DEATH OF HISTORY. 


Conceived by Caroline Beach and Lucie Freynhagen.  Based on the musical 'ContentContent' by Joseph Hernandez and Caroline Beach.  Dramaturgy Dayna Offenbach. Project assistance Ana Dordevic.  

With contributions from:  


Clemens Reinicke, Nadja Kurz, Noé Duboutay, Nelli Lorenson, Josef Panda, Eva Jaekel, Amelie Sabbagh + Lisa Rüger aka DAISY, Saida Makhmudzade, Ingeborg Wie Henrikson, Rika Yotsumoto, Steph Quinci, LARES, Rootsen Sneeky (Simon Förster), and DJ Schlucht 

Supported by NPN Stepping Out, Kulturstiftung des Freistaates Sachsen, and Societaetstheater Dresden

„Unterstützt durch das NATIONALE PERFORMANCE NETZ - STEPPING OUT, gefördert von der Beauftragten der Bundesregierung für Kultur und Medien im Rahmen der Initiative NEUSTART KULTUR. Hilfsprogramm Tanz.“

"Diese Maßnahme wird mitfinanziert durch Steuermittel auf der Grundlage des vom Sächsischen Landtag beschlossenen Haushaltes".


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